Studio Incamminati Celebrates Decade of Teaching Realist Painters The Society January 19, 2013 Art, News of Note 1 Comment NEW YORK—Studio Incamminati, a school for contemporary realist painters, celebrated their 10th anniversary at The National Arts Club in Manhattan on Jan. 11 with a painting demonstration and exhibition. Six of their senior artists, all teaching fellows at the studio, painted a live model using different techniques as an audience followed each brushstroke with intense interest. Studio Incamminati artists and alumni exhibited 50 works alongside art by studio founder Nelson Shanks, from Jan. 3 to Jan. 14. The school, located in Philadelphia, was founded by Shanks and his wife Leona with the mission of developing highly skilled painters. “People walk into galleries, see beautiful paintings, and wonder, ‘How did they do that?’” National Arts Club president Dianne Bernhard said. “We heard this comment so often that we wanted to show you. We are so proud to have Nelson and Leona Shanks’ team here—they are the change-makers in the art world today, the ones who are keeping the tradition alive.” Fundamentals Are Paramount The painters of the evening were studio co-founder Leona Shanks, Lea Wight, Joe Dolderer, Peter Kelsey, Jason Espey, and Alisyn Blake. Each demonstrated one or more of the following techniques: full color (alla prima) painting, charcoal, open grisaille, closed grisaille or a value study, and color study. “The different techniques are learned independently and then you would use the same ways of looking no matter what you are painting,” explained Wight. “You first lay down the most easily seen color notes, and then adjust and relate the different values.” Blake, first demonstrating a charcoal study, used vine charcoal, a paper towel, a shammy, and a kneaded eraser for the lightest highlights. She put down dark values on a gray ground and wiped away the light areas. “It can take 12 hours for charcoal portrait, depending on what you want to get out of it,” she said. Students of the studio undergo rigorous training to cement the traditional techniques and skills of the old masters… Read the rest of the story on The Epoch Times. Featured Image: Teachers from Studio Incamminati show the step-by-step making of a portrait at The National Arts Club in New York on Jan. 11 2013. (Samira Bouaou/The Epoch Times) Views expressed by individual poets and writers on this website and by commenters do not represent the views of the entire Society. The comments section on regular posts is meant to be a place for civil and fruitful discussion. Pseudonyms are discouraged. The individual poet or writer featured in a post has the ability to remove any or all comments by emailing submissions@ classicalpoets.org with the details and under the subject title “Remove Comment.” Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window) Related One Response biological skin care balm September 7, 2014 Superb, what a web site it is! This website provides helpful data to us, keep it up. Reply Leave a Reply Cancel Reply Your email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed.