By Evan Mantyk

WHAT DOES THE classic Chinese story Journey to the West have to do with William Shakespeare’s classic play Hamlet? A lot it turns out.

Both Hamlet and Journey to the West were published in the 1590s, one in China and the other in England. Both rely heavily on poetry. Both also are favorites for stage production still today. Shen Yun Performing Arts even performs Journey to the West pieces throughout the English-speaking world, and Beijing Dance Theater has their own production of Hamlet in China.

Quite a coincidence, right? That’s only the beginning. A particular episode within Journey to the West, set in the Kingdom of Crow-cock, bears an uncanny similarity to the exact plot of Hamlet, set in the Kingdom of Denmark. Both stories begin with the ghost of the king visiting the main characters and explaining that he was deviously murdered by a brother, while in a garden, and that the current king is that brother. Both stories revolve around the prince of the kingdom trying to unseat the murderous king currently on the throne. Both also end with the murderous king’s removal and a plot twist that puts all of the events into a different light.

At first, it seems impossible to account for such striking similarities. In the 16th century, simple communication and cultural exchange between England and China was virtually non-existent. The first Chinese person in England was not recorded until a hundred years later.

If you are an average sort of scholar, you may troll the internet for some kind of scientific explanation. You might conclude that both Hamlet and Journey to the West possibly drew on earlier stories and perhaps have some ancient progenitor. (There are similar Cinderella fairy tales in both cultures as well.) However, the precise similarities in the plot and times of publication are too uncanny to make that a rational explanation. In fact, ancient Chinese wisdom suggests that changes in human society unfold according to specific celestial arrangements. The human body, human society, and the universe are all connected. Such arrangements naturally control both Eastern and Western civilizations and have also been observed by 19th-century German scholars Victor von Strauß  and Ernst von Lasaulx. They noted that Buddha Siddhartha in India, Lao-zi and Confucius in China, and Socrates and Plato in Greece had profound effects on civilizations and all appeared around the same time, leading these historians to call that period the Axial Age.

My particular take on the similarities between the two 1590s works is that, firstly, they were wistful for the great but dead kings of the past—the most renowned being Tang Taizong (who appears in Journey to the West) and King Arthur (who, if real, likely lived around the same time as Tang Taizong). Secondly, they were both prophetically anticipating the great kings and cultural icons who were just about to arrive on earth—Emperor Kangxi (1654-1722) of China’s Qing Dynasty and King Louis XIV (1638-1715) of France … Or perhaps this entire analysis itself is just a fairy tale!

Sources:

The Society of Classical Poets: http://classicalpoets.org/10-greatest-novels-ever-written/
First Chinese person in England, BBC: http://www.bbc.co.uk/radio4/factual/chinese_in_britain1.shtml

 

Evan Mantyk teaches history and literature in the Hudson Valley Region of New York.

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5 Responses

  1. Joseph Charles MacKenzie

    This is definitely intriguing as there are simply too many identical elements in a very complex plot structure. I do wonder if there are other similarities. For example, Hamlet must confront the emptiness of the false religion he acquired at Wittenberg (Shakespeare makes a point about the source of Hamlet’s demise). Is there a similar confrontation with emptiness in The Journey West?

    Reply
    • Evan

      Actually, now that you mention it, there is a bit of an antagonistic relationship between the dominate religion of the text, Buddhism, and Taoism, and the villain is presented as a magician or sorcerer, which is generally associated with Taoism. Perhaps yet another similarity!

      Reply
      • Joseph Charles MacKenzie

        In Hamlet, the antagonism against the social order arises from within Hamlet himself, who opts for rebellion against his family, discards Ophelia, and eventually destroys himself. Hamlet is representative of a new order of cynical, agnostic narcissism in which the individual usurps the place of God as center of the universe. Hamlet allows himself to be drawn in to the ghost’s vengeance (the ghost is surely from hell because vengeful). Modernists read Hamlet as “the prototype of modern man,” and they are right, even if unaware that Shakespeare’s play is a satire precisely on that, a new order of rebellious youth full of self-superior contempt and scorn for everyone around them, defiant even of the natural order. In other words, Hamlet is Shakespeare’s scathing portrait of incarnate Protestantism, the foundation of liberalism. Today’s anti-trump protesters are simply that, 17th-century Puritans in modern costume, as self-absorbed and empty as Hamlet, willing to kill to get their way, defenders of death, suicide, and violence, in the name of a goddess of love thirsty for the blood of unborn children. Like today’s protesters, Hamlet is an intellective pervert subjecting reason to emotion in a heinous inversion of order. But just like Hamlet, the protesters will turn upon themselves, having no reality, no moral principle, no truth to turn to.

  2. Douglas Thornton

    When we are lucky enough to grasp these similarities, I believe they not only tell of the deeper and more elegantly entwined nature of humans, but also of genius.

    Reply
  3. James Sale

    I have not read the Chinese work, so cannot say just how parallel it is, but I do know that just as Darwin was coming up with his theory of evolution, so too was, independently, Alfred Wallace. And there have been many examples of this strange phenomena occurring throughout history. It is of course wonderfully ironic that the most famous example – the double occurrence of atheistical evolution – should be blighted by this ‘chance’ double occurrence: I mean how likely is it – on the basis of pure materialism – that this could happen? As Hamlet observed: “There are more things in heaven and earth, Horatio, / Than are dreamt of in your philosophy.”

    Reply

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