New Works of Classic Byzantine Iconography The Society September 14, 2012 Art By Tim Gebhart In a little studio in Madison, Wis., Drazen Dupor carries on a tradition that flourished in the sixth century—the art of Byzantine iconography. The techniques of Byzantine iconography differ from that of realistic art. Dupor explained: “In a realist painting, look at my face, light is coming from this corner, all of here is light, and all of here is shadow. Iconography doesn’t have that. Light comes from the middle because it is holy. It comes from inside the portrait.” Iconography deals wholly in religious art. Dupor pointed to a picture of Apostle Luke, the patron saint of icons, painting an icon on a wooden board. St. Luke is said to have created the first icon on the dining table of Jesus’s home. St. Luke first developed the style of hand-painted iconography, but it took six centuries before iconography spread to Western Europe. At that time, the Byzantine Empire banned iconography, and artists left in search of work elsewhere. Dupor described the ancient Christian belief regarding artists: “They never sign their work. … Everything is made from the Holy Spirit.” The artist is only a helper. He said that the iconographers of a thousand years ago, the good ones, are unknown… Read the rest of the article at The Epoch Times. [Featured Image: “The Good Shepherd” (detail of the icon), Drazen Dupor: acrylic on canvas, 2009, 3.5 feet by 5 feet. ] Related Post Poetry on the Photography of Mark Wyatt All photos by Mark Wyatt / All poetry by Neal Dachstadter Chant of the Wooded Hall Chlorophyll concordant eaves Soaring ceiling, verdant ... Tell the world:FacebookTwitterTumblrPinterestRedditLinkedInEmail Leave a Reply Cancel Reply Your email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email.