Once upon a midnight dreary, while I wandered, drunk and weary,
Over many a quaint and dimlit alley of forgotten doors—
While I plodded, barely standing, suddenly I heard a chanting,
As of someone softly ranting, ranting from the darkened doors.
“It’s some other drunk,” I muttered, “chanting from the darkened doors—
Only this and nothing more.”

Only vaguely I remember, for I’d been on quite a bender,
And each alleyway I entered left me lost more than before.
Wishing that the night weren’t over, vainly I had bought an Uber,
Then I walked away more sober—sober for my lost liqueur—
For the sweet and fervent ferment that the brewers name liqueur—
Shameless here forevermore.

And the windy, winding backstreets, when I left behind the taxi,
Filled me with bewilderment—I’d never seen those streets before!
So that now, to get my bearings, I had stopped and stood there staring
At my phone as I was hearing whispers from the darkened doors.
“Just some other drunk I’m hearing whisper from the darkened doors—
This is all and nothing more.”

Now I felt the foolish courage of the drink, and thus encouraged:
“Asshole!” I cried out, “or Madam… show yourself now, I implore!
Walking home and barely standing, I can hear you back there ranting
At a whisper, almost chanting, chanting from the darkened doors—
I can hear you sneaking back there”—and I squinted at the doors.
Darkness there and nothing more.

In that drunken stupor, peering, I stood listening though not hearing,
Dreaming dreams of all the sweetened whiskeys I had drunk before,
And it was three in the morning, so the whiskey wasn’t pouring,
But I thought I felt the warming of a sip of a liqueur.
So I swallowed, but I tasted just the whispered word, “Liqueur!”—
Merely this and nothing more.

Down another alley turning, all my thirsty soul was yearning,
When I caught a glimpse of something glinting on the cobbled floor.
“Surely,” said I, “on the cobbled pavement that must be a bottle!”
So I stumbled and I hobbled to investigate it more—
“Don’t be empty,” I implored as I investigated more—
This I said and nothing more.

Reaching down now to the pavement, I picked up a flask of fragrant
Whiskey which was labeled “Raven” from the good ole days of yore;
Not a moment had I waited, not a second longer wasted,
Than I popped the lid to taste it on the street of darkened doors—
Popped the lid and took a swig there on the street of darkened doors—
It was air and nothing more.

Then this fragrant bottle raising my drunk brow into amazement,
I began to shake it and could hear the liquid that it bore.
“Though you taste of air insipid, I can feel you’re full of liquid,”
Said I, and I tried to sip it but it baffled me once more.
“Tell me what the hell you are—this isn’t funny anymore!”
Quoth the Raven, “Nevermore.”

I was shocked to hear an answer from this spiritless decanter,
Though it made no sense to me, for who had heard of that before?—
No one else was there to hear it, but who’s heard of any spirit,
Any brandy, beer or claret, any vodka or liqueur,
From a label called “The Raven”?—who has heard of a liqueur
With a name like “Nevermore”?

But the Raven in my fingers didn’t flinch, but ever lingered,
Speaking only that one word, as if that word were all it poured.
Nothing more came from that cistern, not a drop and not a whimper,
Till I scarcely more than whispered “Other flasks have drained before—
This one likewise must have emptied, as my Hopes have drained before.”
Then the flask said “Nevermore.”

Startled by the words it uttered, I replied with slurs and stutters,
“Doubtless that response must be the only draught that it can store.
Some unhappy alcoholic must’ve felt the pain of colic
From imbibing all the tonic which this dire bottle bore—
Till the ballad of his Hope was but a promise that it bore:
‘Not ever—nevermore.’”

But the Raven flask still raising all my brow into amazement,
Now I stopped and took a seat upon the curbside in a court;
Then, upon the concrete sinking, I abandoned hope of drinking;
It was then I got to thinking what this teasing flask of yore—
What this gross, ungodly, gustless, glass, and teasing flask of yore
Meant in gasping “Nevermore.”

Thus I sat and thus I reckoned, while the ghostly bottle beckoned
Me to take another mouthful of the aether at its core.
This and more I speculated, though I was inebriated.
Roadside lamps illuminated the liquescent smoke it stored—
But the evanescent texture and the airy taste it stored,
I would know, ah, nevermore!

Then I thought the stuff grew denser, as if poured from some dispenser
Tipped by waitresses whose footfalls clicked upon the cobbled floor.
“Sot,” I cried, “my God has meant me to imbibe this flask he sent me—
Let it be that dear nepenthe from my memories called liqueur;
Quaff, oh quaff this kind nepenthe and retrieve my lost liqueur!”
Quoth the Raven “Nevermore.”

“Sorcerer,” I said, “you tempt me!—tempt me still, if full or empty!—
Whether someone dropped you here or you were blown here by a storm,
More than just a mere decanter, you’re some mystical enchanter—
With your curt and cutting candor, tell me truly, I implore—
Is there—is there sweetened liquor?—tell me—tell me, I implore!”
Quoth the Raven “Nevermore.”

“Sorcerer,” I said, “you tempt me!—tempt me still, if full or empty!—
By that god of grapes and wine who makes us merry on the floor—
Tell this thirsty, drunken heathen if, within the distant Eden,
He again shall ever even sip the potion called liqueur—
Sip the sweet and potent potion of ambrosia called liqueur.”
Quoth the Raven “Nevermore.”

“By that word may you be shattered, flask or fiend!” I shrieked, now madder—
“Go on back to where you came from, whether Hell or other shores!
Leave me no deceptive omen! Leave behind your airy potion!
Leave my wretched thirst unbroken!—break yourself upon the floor!
Take your opening from my mouth, and smash yourself upon the floor!”
Quoth the Raven “Nevermore.”

And the Raven, always tempting, still is empty, still is empty—
In my fingers’ desperate grip as desperation grips my core;
And that bottle has the seeming of a vessel that is teeming,
Full of alcohol and gleaming like a golden sweet liqueur;
And my soul within that bottle that lies floating in liqueur
Shall imbibe it—nevermore!

 

 

J. Simon Harris lives with his family in Raleigh, NC. He is a graduate researcher in Materials Science at NC State University. Much of his poetry, including his ongoing translation of Homer’s Iliad in dactylic hexameter and samples of his translation of Dante’s Inferno in terza rima, is available on his website (www.jsimonharris.com). His novel, Lemnos, is available now on Amazon Kindle.

 

 


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6 Responses

  1. Basil Drew Eceu

    Though there have been innumerable parodies of Poe’s “The Raven,” none has captured the striking originality of Poe; however, Mr. Harris’ parody is distinctive for its competent metre and rhyming, its metaphoric approaches, its sustained, occasionally subtle, humour, its endurance (dare I say power), its diction, its substitutions, and its alliteration. Part of the enjoyment of “The Drunken” is how much it relies on Poe to pull it off what success it has; and, so frequently, in reading it, I find places where I can contrast Poe’s artistry with that of Mr. Harris, and the comparison surprises.

    Reply
    • J. Simon Harris

      Many thanks for your keen analysis (as always) and kind praise. “The Raven” is one of my favorite poems, as you may be able to tell. I had a lot of fun writing this parody, and I’m glad others are enjoying it too.

      Reply
  2. Maimone Attia

    How is it this poem doesn’t have at least 100 comments, praising the writer’s impressive skill and igenious wit? I am a fan of Poe, and a handful of years ago I wrote a humor poem as a tribute to his writing. After I finished it, I wondered if there were other parodies of Poe’s works that are available to read online. Of course, there are many. And of all the parody works I could find, none are as great as The Drunken. This poem is not only a triumph for all the reasons the above commenter listed, but it is also flat out hilarious. Most Poe parodies aren’t nearly as funny. This poem truly deserves wide recognition. Professors and students of literature in colleges across the U.S. should know it. It should be printed on posters hung in dorm rooms and in some sort of humor poetry compilation book, if such a thing exists.

    Reply
    • Mike Bryant

      I agree. I have come back to this poem a few times myself. The poem is brilliant. Because I am the moderator at this site I know that this poem has been viewed 1,165 times and gets more views every month. I have no idea why it doesn’t have more comments. Thanks for stopping by. Perhaps you’d like to submit your poem.

      Reply
      • Maimone

        Hi Mike, I’d love to submit my poem and would be honored for it to be considered. If it were to be accepted, I wouldn’t want it to detract in any way from “The Drunken”. However, now that I think of it, I doubt any Poe parody could ever eclipse what Mr. Harris has written. His work is in a class all on its own. As for submissions, do I follow the normal process described on your site? Do I put the email to your attention? I also have an mp3 recording. Thanks for all your replies. And thanks to Mr. Harris, for writing inspiring and hilarious poetry!

      • Mike Bryant

        Yes, follow the normal process, email the submission and the mp3… attention Evan. He is the guy that started this site about ten years ago. I’m the comments moderator. There are thousands of posts so you wouldn’t be stepping on any toes. Thanks Maimone, Mike

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