"The Four Elements - Air" by Joachim Beuckelaer ‘Political Correctness’ by Margaret Coats The Society March 6, 2018 Culture, Humor, Poetry 4 Comments After Joachim du Bellay’s “Les Regrets LXVIII” I hate the Florentines’ foul avarice, I hate lewd Sienese profanity, I hate Geneva’s glib duplicity, I hate malign Venetian artifice, I hate whate’er Ferrara does amiss, I hate the Lombards’ infidelity And Neapolitan diversity, And lazy Rome’s loquacious cowardice. I hate how the English smirk, and Scotsmen cheat, How Burgundy betrays France indiscreet, How Spaniards strut, and drunken Germans balk, And I who hate some vice in every nation Renounce political equivocation, For most of all I hate how pundits talk. Margaret Coats lives in California. Long ago, she earned a PhD in English and American literature and language, but left the academic field for a better position schooling her own children. She has continued to help other homeschooling families with courses in literature and Latin, and she sings in choirs for the Traditional Latin Mass. NOTE: The Society considers this page, where your poetry resides, to be your residence as well, where you may invite family, friends, and others to visit. Feel free to treat this page as your home and remove anyone here who harasses or disrespects you. Simply send an email to firstname.lastname@example.org. Put “Remove Comment” in the subject line and list which comment or comments you would like removed. The Society does not endorse any views expressed in individual poems or comments and reserves the right to remove any comments to maintain the decorum of this website and the integrity of the Society. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email this to a friend (Opens in new window)Click to share on Pinterest (Opens in new window) 4 Responses Sally Cook March 6, 2018 Marvelously understated wit and wording! Your children must be getting a very good education! You may get two of this, as I was unable to send it before, but that’s ok; you deserve at least two. Sally Cook Reply Blaise Éducwer March 6, 2018 It’s hard to know why any particular writer inspires another, or why any particular topic draws one in; but I truly enjoyed your rendering of Du Bellay. Your language is so elegant and delicate, it is breathtaking, and I am actually amazed at how refined your language is. I am reminded of the English of Mr. Whidden and Ms. Foreman, with an additional clarity that reminds me of Siglo de Oro sonneteers. We are truly blessed @ SCP. On a Translation of Margaret Coates I like Ms. Coates’ recast of Du Bellay. I like how she retains the rhyming scheme. I like her latinate linguistic stream. I like the way she takes the words away and brings them back with something fresh to weigh. I like the power of her laser beam. I like her octave; I have great esteem; her dreamy metre keeps the fun in play. I like the sestet, after Italy; and Western Europe handled wittily, as fine as any Spenser rendering, or Portia dreading random wedding band. O, I, who like some virtue in each land, enjoy Ms. Coates’ crisp, modern handling. Reply Joseph Charles MacKenzie March 6, 2018 In fact, there is a marvelously jocund aspect to this fine poem which betrays the poet’s well-studied understanding of Les Regrets. I would not hesitate to place this piece within the Ars Poetica Nova. Remember, also, that Du Bellay had given to the French sonnet its human dimensions while preserving the universality of lyric verse at the same time. In the 191sonnets of Les Regrets, Du Bellay conceives poetry as the “secretaire du coeur,” and he stands out within the Pleiade for this reason. Rather than making constant reference to some “exemplaire grec,” Du Bellay preferred, instead, to put into his verses “tout ce que la passion fait dire.” So the choice of Du Bellay is perfectly relevant. Under the tyranny of political correctness and its concomitant reduction of poetry to mere leftist propaganda, poetry like Du Bellay’s—indeed poetry itself—becomes impossible. Reply Joseph S. Salemi March 7, 2018 Dear Ms. Coates — I agree with Mr. MacKenzie’s analysis, and I also am impressed by the manner in which you have used Du Bellay as a template for a pertinent modern sonnet. Might I have permission to accept this poem for inclusion in the next issue of my journal TRINACRIA? Reply Leave a Reply to Sally Cook Cancel ReplyYour email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed.