Canto 1 is the provisional name for a sequence of 33 Cantos that James Sale is attempting to write in the style – and using the terza rima – of Dante. His aim is to create a contemporary epic of heaven and hell that stands four-square against the meaninglessness of post-modernism.
It had to be – that long descent began:
About me images, one century
That started, stuttered, showed how poor is man
In all things except his savagery.
My grandfather’s face, first in that stale line,
Who missed the trenches through admin’s mystery;
Instead was sent to fight in Palestine,
While friends he’d known all died in No-Man’s-Land.
How lucky, then, for him; for me a sign:
Despite the misery, unintended, unplanned
That characterised the fools who sought to build
A better world – progress – to make a stand,
As it were; as if politics could field
A force sufficient to overcome gods
Whose power, agencies were not like to yield
To mortal die, its throes and sadder odds.
Or, as if science, too, could weight outcomes –
Build Babels better far than Nimrod did.
Yet for all that building, they built one tomb
Called planet Earth – polluted, warmed and dying,
Neglecting the while to study, exhume
The corpse of what the century was frying.
That long descent began. I saw myself as heir;
I saw myself because poetry is scrying –
Calliope come to me now, be there,
For I must tell how I came to that wild place
Where death is our doctrine, and twin despair.
For all this, know – each human hides that face
Divine, which is our task, within our will,
Finally, to reveal, if so by God’s grace,
That Love that Dante saw created hell,
And by His goodness covered Earth with stars,
So many, no mind could count, cosmos fill
And yet there they hang, like near us, but far;
Our destiny, one day, perhaps, to cross
Over to where mortality can’t mar,
Cast shadows, prolonging, deepening loss.
Calliope, then, come now, epic queen,
Without inspiration writing is dross;
Enable me to see what’s not been seen
Before, but rise heroic to this quest
And find the Grail: what does this century mean?
And, in doing so, find also true rest –
The ninth heaven where Dante found himself,
Surprised and speechless, all light and all blest,
All one, yet being not somebody else:
Himself full-on, as could be one snowflake
In dawn’s deep drift, unique whilst still engulfed.
Calliope, Apollo’s daughter, make
Me prophesy, you know what’s to be,
You know the golden god and how he breaks
The proud. I came myself near history,
Though summer had supposedly broken out,
Collapsing in the car in mystery.
Something medics came to see in my gut,
Something small, some shadow, should not be there,
But they’d remove – a snip – at most a cut
And I’d be well; there my life would be clear.
I waited hospitalised without sun,
No moon either, all that’s natural, dear
Gone without trace, as I went down, down, down:
One held my hand as anaesthetics did
Their graft, and what was to do would soon be done;
And that malignancy within, well hid,
That choked, snake-like, intestinal flesh,
Would be revealed at last and I’d be rid
Of cancer and its dark sarcoma’s wish:
Destruction absolute, assured, aligned –
Refusing life, wanting in death to mesh
With me, an apt image of evil’s mind,
Small gains to build one vaulting emptiness,
At last undo what so much love designed.
So much love designed? And too was blessed?
Such sacredness I scarce can speak of – how
Before God now I tremble, quake, am less –
His glory. I saw it, as dying, slow,
Gutted of guts, and lying on the bed,
Out of my body, sight soared to space, so
Effortlessly, and there I saw, ahead,
One giant finger turning candyfloss.
Wondering what -? I willed myself and sped
To see. There, close-up, I saw not chaos,
Exactly opposite: not sugar wound
About a finger, or some child’s sweet dross,
But star formed in deep space, there without sound,
No fanfare, relaxed; and the index bent,
One flick, it revelled forward on its round.
How could such power be – the whole cosmos rent
Into parts and each part on its own work,
And better still, each atom purposeful, sent
Whilst far below on a bed, injured, hurt,
Powerless to do evil, much less good,
I lay helpless, fit soon to be but dirt?
I choked, for knowing there’s nothing I could
Do, racked on my bed of pity, undone,
Undoable. ‘Lord, God!’ My tears a flood,
Nothing conscious I might intend, put on:
Only a baby in the night in pain
Hopes somehow something or someone must come
Because existence exists and – come again? –
Not only did He make the living ones,
He’s Life itself, which means … He is the plan.
I cried, ‘Lord God, help me!’ – and just the once –
Just as the finger turned, leisurely, out
Towards the void where all other stars shone,
And it seemed that He – the He that no doubt
Disturbs or interrupts – that that One might
Leave me forever stuck in my dark rut
Despairing, with those who mock without right,
Just then, before my thought caught my words’ sense,
He turned, un-flexed, had me direct in sight
Before I could bring just one thought more hence
To mind, discern my spirit from my soul,
Before I knew even my existence,
So fast, so instant, light itself seemed slow:
There, at the point the surgeon scratched his cut,
At that point exactly I felt God’s blow
In me – so in me that nothing could stop
Its force, its flow and in one instant all changed,
As if mortality’s self now were shut
Off, and for it something brand new exchanged:
I mean that pain, in body, mind, instantly ceased,
As from suffering I was wholly estranged,
And paradise abounded, total peace,
And more: His face I could not see, but rather
His presence inside working, me released.
But that was it – free – yet in me, together
And I aware of some awful purity:
A whiteness of light, which recalling ever
I quake within, tremble before to Be,
Before such beauty as I cannot stand
Before. So weeping, weeping endlessly,
Not tears as lost souls weep, you understand,
But joy at such happiness – profound, deep,
So deep nothing could undo, countermand,
Erase. At last myself was in His keep –
And so He rocked me like a babe in arms,
An only time in three months I found sleep.
Nothing to interrupt that restorative calm:
No artificial light, blood tests, chit-chat
Or worse, the dying cries lacking love’s balm
In that hell of hospital I was at
Broke that deep sleep that God induced in me;
Till morning, sunlight at the window’s slat,
Waking to find, or know for certainty,
I was not bound now to die, but to live,
For He had called me back, through His mercy,
All grace, unbounded, simply His to give.
The world strange, that not long before was not:
Altered; before, the busy, bustling hive
Of bees circling till, exhausted and shot,
They died in beds of blank indifference;
After, honey and overflow, the lot –
Time slowed to tripartite significance,
Future ahead, and present, a new past
In which what was random had his Presence,
Vital, pervading all moments, all mass,
Nothing beyond reaching beyond His reach,
That reach, and His hand, the net He had cast.
That net into which He too had been pitched.
No, not some distant god who lived remote,
Pulling the levers and strings, laughing as each
Man fell to common and singular notes
Of folly: no, not such a god as that,
Or some such Zeus on full sensual bloat,
Careless how the swan’s neck proves Troy’s mishap;
Instead, another God, and just the One,
Whose Word upholds all things, all changing shapes,
Till changing He Himself in flesh was done;
And now before me changes what’s ahead
Beckons, a door, fiery to burn upon
As if hanging, and hanging there my bed –
Out to deeper depths than this sick ward holds
And sinking at last the human cancer shed
If seeing my own horror’s trail and toll
Might let light intrude, penetrate my soul.
James Sale, FRSA is a leading expert on motivation, and the creator and licensor of Motivational Maps worldwide. James has been writing poetry for over 40 years and has seven collections of poems published, including most recently, Inside the Whale, his metaphor for being in hospital and surviving cancer, which afflicted him in 2011. He can be found at www.jamessale.co.uk and contacted at james@motivational maps.com. He is the winner of First Prize in the Society’s 2017 Competition and Second Prize in the Society’s 2015 Competition.






Thanks Sedley – will continue on this and update you as appropriate.
Such a beautiful, masterful poem. Reading it I felt moved to tears and I was reminded of a fundamental human truth my soul remembered but my mind had forgotten. Such effortless flow and structure, it touched me deeply. I look forward to reading more of James’ classic works.
Thanks Michelle – I am delighted you have been so moved by this poem; and I like the idea too of ‘remembering’ what we have forgotten, which is a principle underpinning poetry as Mnemosyne was the goddess of memory and the mother of the 9 Muses in Greek mythology. She was the daughter of heaven and earth (Uranus and Gaea). I also like the distinction you make between your conscious mind and your soul; this is a central distinction. Thank you.
Dear Mr. Sale,
This canto is a journey which rewards at the end. I am unequal to the task of comment in this case. To pretend that I possess even the first means to comment would be unjust to your magnificent vision.
Thank you Joseph – your views are very important to me, as I am on record as stating how great your poetry is, and so praise from you is especially telling. But there has been recently a lot of activity on SCP to the effect that praising people’s poetry is somehow forming a church of do-gooding, mediocrities, who simply want to engage in mutual back-slapping and self-congratulation. Nothing of course could be further from the truth. On a personal level I make it a point of honour to myself not to distort what I believe to be true, or to write reviews to curry favour with others. Equally, I believe that when people attempt to write poetry they should be praised for what they achieve. That said, it would be crippling if the youth and the newbie, as soon as they ventured a poem, were assailed by the fact that their verse didn’t measure up to Shakespeare or Pope. We need to exercise kindly discretion. As St Paul put it, We need to admonish the unruly, encourage the fainthearted, help the weak, be patient with all men (and women). Indeed, we need to build up a strong community that is built upon respect, truth, and the understanding, the profound understanding, that Poetry is bigger than anyone of us, and that Apollo himself destroys the hubris of those who think they are bigger – as Marsyas did – than he is. The silver bow is already bent – the arrow already poised. So thank you again for your contribution. You astutely observe that ‘at the end’ is when the reward comes; yes, the Cantos are now having to go down into hell, first; but I hope when I finally come out you will also say, ‘It was really worth it to get to the end’.
I am very excited – an extract from Canto 1 has now been recorded on video and it looks like this: https://www.youtube.com/watch?v=nbex5IGecZw&feature=em-share_video_user Please take a look and feedback any comments you want to make here.
That’s a great reading! I love the idea of posting poetry readings on YouTube; it hearkens back to the origins of poetry, which was spoken aloud for centuries before it was ever written down. Thanks for the link!
Thanks for your appreciation of this reading. I am doubtless partial as it is my poem and it is my youngest son performing it; but independently of my relationship with him, he is a gifted performer as others have commented. He will be very pleased with your comment and I will direct him to it. Also, as you point out, there needs to be more on YouTube – this kind of thing does have oral precedent. Thank you again, Simon.
If you have enjoyed Cantos 1-3 published on the pages of The Society of Classical Poets, then I am pleased to inform you that Canto 4 of The English Cantos has now been published by The Lowestoft Chronicle in their Spring edition. It can be found out:
http://lowestoftchronicle.com/issues/issue37/jamessale/
They have kindly provided a link back to Cantos 1-3 on their pages. I hope you will enjoy this too and find it still an enthralling read. And while posting, let me say as well, I am really looking forward to meeting many of the SCP’s finest poets in June when I shall be over in New York for a ten day visit. I can barely wait to meet some of you!
I have found the YouTube reading by your son so interesting that I then continued to read aloud the following verse for myself finding so much that spoke deeply to me, so many phrases that thrilled me and when the words spoke of your cancer and operation, James I found myself remembering all that you had shared with us in that long-ago time at Ammerdown. You have inspired me to keep reading your Cantos with gratitude for your gifts that you so generously share.