Klosterneuburger Evangelienwerk, 14th century‘Kingfishers and Kites’ and Other Poetry by Denise Sobilo The Society June 27, 2019 Beauty, Culture, Poetry 5 Comments Kingfishers and Kites Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves—goes itself; myself it speaks and spells Crying Whát I dó is me: for that I came. —Gerard Manley Hopkins, “As Kingfishers Catch Fire” Were said bird to burst spontaneously into flames and drop down dead before me, a burnt-offering albatross, still I would not know the kingfisher from the kite. For we have lost the vocabulary that speaks true Words to virtuality; that owns reality consistent with created nature. We have lost the Myth and the making. Our constructs, synthetic clay bricks without straw, crumble to a thick wind-driv’n loess that chokes imagination: sans inspiration—disdivination. The potter’s wheel, under a dervish hand, whirls a mad centrifuge, flinging dust and grit and kingfisher burnt-dead ash about the disordered heavens—earthen doubt. The center cannot hold, the bonds decay, the ancient unities dissolve away: name and act and being. Alas, the kite and kingfisher, not I, still know, despite. (July, 2018) Poet’s Notes on last stanza: “The center cannot hold”: Yeats, “The Second Coming” “bonds”: In Latin, religere to bind “name and act and being”: Cf. the theory of language proposed by Owen Barfield in Poetic Diction Apocrypha It is, we are told, an apocryphal tale, and therefore, not fit matter for the deposit of faith as canonical. Yet it is an imagining (more’s the pity) that does not demand the willing suspension of our disbelief, nor the uneasy tolerance of bedev’ling heterodoxies that lack coherence or integrity. Rather, distilling life into art, it is an adherence to the truth of what could have been: delight in creation, a childlike exuberance that breathes into fashioned clay, spirit, flight. After all, He did it before; how then can we deny child Jesus His birthright? And though that gift is not given to men, imago dei, we imPersonate. Not a lifeless clay-bird, but alive when I found the loon—unlovely, desolate, and wounded sore. The dogs would have devoured it; I chose instead to commiserate, for both our redemptions. Thus was I dowered with empathy for earthly creatures’ loss, by the Mariner’s yarn empowered. The loon, blood-cousin to the albatross; poetry, consanguine with the Logos. (April 2019) Poet’s Notes: “Aprocryphal tale”: There is an unverified story (therefore non-canonical for the purposes of Catholic belief) of the child Jesus creating a clay bird that He brought to life by breathing into it. This tale appears in similar forms in the Infancy Gospel of Thomas (thought to be of Gnostic origin) and in the Koran. “He did it before”: All things were made through Him, and without Him nothing was made that was made” (John 1:3) In Catholic theology, Christ, the second Person of the Holy Trinity, is understood to be the Incarnate Creator who accomplishes the work of Creation. Imago dei: Literally, “the image of God” Mariner’s yarn: “The Rime of the Ancient Mariner” Samuel Taylor Coleridge Logos: literally “word” Christ is identified as the Logos in the Gospel of St. John. The concept of “word” had religious connotations before St. John: to the Greeks the logos was the universal principle which animates and rules the world; to the Jews of the Old Testament it represented the creative act as the word of God. Denise Sobilo’s work has previously been published by the St. Austin Review; The Imaginative Conservative; Jesus the Imagination; and The Antioch Review. Views expressed by individual poets and writers on this website and by commenters do not represent the views of the entire Society. The comments section on regular posts is meant to be a place for civil and fruitful discussion. Pseudonyms are discouraged. The individual poet or writer featured in a post has the ability to remove any or all comments by emailing submissions@ classicalpoets.org with the details and under the subject title “Remove Comment.” Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window) Related 5 Responses James Sale June 27, 2019 I like these poems very much indeed; technically they are very ambitious, and to find Yeats, Hopkins and the little known (now) Owen Barfield cited as sources in the Kingfishers and Kites is remarkable indeed. I have not encountered Denise’s poetry before that I can recall, but I think that this is very important work and would like to see lots more of it. Congratulations on some remarkable ideas and constructions in these two poems. Your Muse speaks. Reply Denise Sobilo June 27, 2019 James, Thanks for your kind words re: the above selections. You will find that I am very much an old Western man, as defined by C.S. Lewis. (cf. my poem “Old Western Man” published by Joseph Pearce in St. Austin Review.) I wrote some poetry as a callow youth but stopped for a long period of domesticity (wife and mother). When those roles were no longer my priority, as was the natural progression, I was called again. I have only recently began seriously writing poetry and both my choice and treatment of subject matter as well as my convictions regarding form have been altered radically by the circumstances of my life and by said numinous conversion experience. I am heartened by the response to my work so far. Reply C.B. Anderson June 27, 2019 Denise, these poems were fantastic, the type of work that lingers in the mind and deserves to be re-read again and again to savor the richness of the language. I almost expected sprung meter in the first one, iambs be damned. I have not read any poems, here or anywhere else, that were this good in a long time. Harking back to James Sales’ comment, I have a copy of Barfield’s SAVING the APPEARANCES on my bookshelf that deserves a third reading. In the first poem, I assume that “kite” means some sort of vulture. Here in America we only have “vulture” and “buzzard.” You have given me cause to try harder when it comes to my own inadequate verses. Reply Denise Sobilo June 27, 2019 I yield to Hopkins in the matter of sprung meter. Yes, the kite in question is the bird, another illustration of our (mine as well) lack of familiarity with the natural world vs. the virtual one. I have not read the Barfield book you mentioned; will try to see if I can locate a copy. And thanks for your compliment. Reply Monty July 17, 2019 What! . . “disdivination”? Surely not? Reply Leave a Reply Cancel Reply Your email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed.