"Apple Blossoms" by John Everett Millais‘Apple Tree’ by Mickey Kulp The Society July 24, 2019 Beauty, Poetry 2 Comments a modified English Alexandrine An ancient apple tree in my unkempt backyard Has skin pocked like the moon by savage nature’s wrath. The top is bare and broke, curled like a parched mesquite Contorted in hot sand. Some lower limbs are green. These few remember still How coiling teenaged roots went questing, drinking deep. Swayed easy in the storms, and limber, shed the snows. Tomorrow had no cares. Untouched, enduring still. The few lush limbs oppose Death creeping from above. They birth a crop of fruit: Green scandal, tart with life. Defiance ‘til the end. A lesson, might it be? Mickey Kulp is a writer and father whose creative nonfiction, fiction, and poetry have appeared in numerous consumer magazines, newspapers, literary journals, and three books of poetry. He is a member of the Gwinnett County Writers Guild and founding member of the Snellville Writers Group. In 2018, he created a quarterly reading series to benefit the local food co-op. He lives with his wife and a dozen larcenous squirrels in Atlanta, GA. Views expressed by individual poets and writers on this website and by commenters do not represent the views of the entire Society. The comments section on regular posts is meant to be a place for civil and fruitful discussion. Pseudonyms are discouraged. The individual poet or writer featured in a post has the ability to remove any or all comments by emailing submissions@ classicalpoets.org with the details and under the subject title “Remove Comment.” Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email this to a friend (Opens in new window)Click to share on Pinterest (Opens in new window) 2 Responses Joseph S. Salemi July 24, 2019 It’s nice to see alexandrines being composed once more. They were frequently used in the late nineteenth century, but they demand a skill that is largely absent today. My only suggestion is about the choriambic bob-lines that end each quatrain. The first two “Contorted in hot sand” and “Tomorrow had no cares” work fine. But the last has a small stress problem. “A lesson, might it be?” is very awkward for a choriamb (/ x x /), since the stress naturally fall on the word “it,” which is unnatural. I’d suggest this minor shift: A lesson it might be.” (x / x x / x) In this way the stress falls on “might”, and the unnecessary sentimental question at the end can be omitted. Reply Mickey Kulp August 1, 2019 Thanks for the feedback. ~Mick Reply Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed.