"Pygmalion" by Jean-Baptiste Regnault, 1786‘The Art Professor’ by Sheila Mulrooney The Society April 7, 2020 Beauty, Culture, Poetry 4 Comments Pygmalion knew these women all too well; his instincts told him he’d better sleep alone. He took to art. —Ovid, The Metamorphoses, Book X His wife will say no living soul should trust that skinny man. He reads too much and falls asleep at 10pm. He only lusts for crumbling effigies. In dreams he’s called to bed by Hellenistic Artemis through drapes of Grecian white. A labyrinth’s walls protect him as he steals the virgin’s kiss, then lays his hand upon the goddess mould and sees her cobwebbed eyes alight with bliss: her bliss, his living art. Her ivory folds would shield him from banalities of strife and age. He longs for stones to shed their cold— Must only sculptors bring their work to life? Professors, too, can carve a perfect wife. Sheila Mulrooney completed her Masters in English Literature at the University of Toronto. A Canadian living abroad, she currently splits her time between Upstate NY and Toronto. Her work is forthcoming in Dappled Things. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. 4 Responses Sultana Raza April 7, 2020 One of the most interesting poems at this time…. the words are simple, yet evocative, and they flow like marble drapery on a statue. Reply Joseph S. Salemi April 7, 2020 Pygmalion carved his wife from ivory because all the women on his island of Cyprus were prostitutes, and unsuitable for wedlock. Professors have a wider choice today, but not by much. Kidding aside, it’s a fine poem, using a classical theme to make a contemporary point. Reply Margaret Coats April 8, 2020 This poem makes me, as an art professor’s wife, ask whether I ever noticed his carving, and reminds me to shed any coldness. Intriguing terza rima sonnet! Reply Susan Jarvis Bryant April 11, 2020 I love the this poem. I like the images it conjures; “cobwebbed eyes alight with bliss” is delightful. The opening sentence had me smiling and the wry wit of the closing couplet had me grinning. Your wonderful sonnet puts me in mind of Carol Ann Duffy’s sonnet from Anne Hathaway’s perspective in “The World’s Wife”. Her wink of a closing couplet reads: “I hold him in the casket of my widow’s head / as he held me upon that next best bed.” Reply Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Δ This site uses Akismet to reduce spam. Learn how your comment data is processed.
Sultana Raza April 7, 2020 One of the most interesting poems at this time…. the words are simple, yet evocative, and they flow like marble drapery on a statue. Reply
Joseph S. Salemi April 7, 2020 Pygmalion carved his wife from ivory because all the women on his island of Cyprus were prostitutes, and unsuitable for wedlock. Professors have a wider choice today, but not by much. Kidding aside, it’s a fine poem, using a classical theme to make a contemporary point. Reply
Margaret Coats April 8, 2020 This poem makes me, as an art professor’s wife, ask whether I ever noticed his carving, and reminds me to shed any coldness. Intriguing terza rima sonnet! Reply
Susan Jarvis Bryant April 11, 2020 I love the this poem. I like the images it conjures; “cobwebbed eyes alight with bliss” is delightful. The opening sentence had me smiling and the wry wit of the closing couplet had me grinning. Your wonderful sonnet puts me in mind of Carol Ann Duffy’s sonnet from Anne Hathaway’s perspective in “The World’s Wife”. Her wink of a closing couplet reads: “I hold him in the casket of my widow’s head / as he held me upon that next best bed.” Reply