in response to Traditionis custodes (“Guardians of the tradition”)—the new motu proprio issued by Pope Francis on July 16, 2021.

She has been scarred before. She knows the sting
Of scorn and ostracism. She has been poor
And homeless. Hunted, hiding from a string
Of angry mobs, she lived, escaping sure
Death. She survived. O, pray she can withstand
The desecration of St. Peter’s grave,
The inside persecution, the command
To silence her for good. On rocks, in caves,
Pray she endures, clandestine if need be,
And grows, and draws the faithful to her side
With her majestic beauty. History
Of holiness and martyrdom abides
__In her. Do not despair, for popes are men.
__“Trust in the Lord with all your heart.” Amen.



Sasha A. Palmer is a Russian-born writer and translator, who currently lives in Maryland. Sasha is the recipient of international awards in poetry and translation. Her work appeared in Writer’s Digest, Slovo/Word, Cardinal Points, and elsewhere. 

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20 Responses

  1. Peter Hartley

    Sasha, a very moving and very well written poem which shows what the Roman Catholic Church has suffered and survived in penal times past from the death of those Carthusian monks in Henry VIII’s day to Oliver Plunkett’s martyrdom in the late seventeenth century to show how she “knows the sting of scorn and ostracism”, that she rose to that crisis and she will rise again to defeat this. It is sad but full of hope.

    • Eric

      Beautiful. In the last days the true Church will be a catacomb church, with the Divine Liturgy
      “On rocks, in caves”, just like in Russia under the godless communists. Her “majestic beauty” will be heartbreaking! This poem is a foretaste, and is utterly inspiring. God bless you.

  2. Paul Erlandson

    Dear Sasha,

    Thank you very much for this beautiful offering. It evoked very strong emotions in me, and even a physical shudder at the beauty and sadness of it.

    I am in your debt.


  3. Margaret Coats

    Amen, Sasha, and thank you for this spiritual work of mercy. Attacks have been mounting from the inside during recent decades. But as one college chaplain told students, “Ultimately there is only one Roman rite.”


    Tyrannical self-serving sentences portend
    Prodigious numbers learning how old rites transcend
    The modernistic idiosyncratic blend
    Of ambiguities exhausted that offend
    Lucidity. Mammon’s manmade mass will end.
    Hell threatens those whom curs in shepherds’ vesture tend.

  4. Joseph S. Salemi

    Bergoglio is an open heretic and an antipope, so nothing that he says and no documents that he issues carry any real authority whatsoever. Unfortunately, this doesn’t mean that he can’t make life a torment for Roman Catholics.

  5. Cynthia Erlandson

    This is exquisite, and dense with both true pathos and true hope.

  6. Sasha A. Palmer

    Thank you all very much for reading the poem, and for your kind words. Let us pray for the preservation of the Traditional Latin Mass, and continuing to have access to it. God bless.

  7. Julian D. Woodruff

    Thank you, Ms Palmer. A very fine and moving piece of writing.
    It might seem like a strange exercise, but I find myself wondering how much of what we can experience in the Tridentine Mass might be “imported” into the N.O. form–celebration ad orientem, the presence and use of an altar rail, the discarding of the kiss of peace, the post-missal prayers, the use of Latin (maybe the least important thing to me except insofar as it admits to the “pride of place” authorized by V.II Gregorian chant, as well as other forms of chant and Renaissance sacred polyphony) etc. I don’t know where a violation of the letter of the N.O. Mass would begin if such were to happen. Oh, but then there’s the spirit of the N.O. Mass …

    • Margaret Coats

      Julian, the parishes where some “importation” has been done, and an atmosphere of greater reverence created, tend to be those that have the Traditional Mass as well. Their pastors are among the best. But you are quite right that the spirit and indeed the very structure of the rite created in the 1960s, and updated several times since then, naturally favors novelty. And there is the fundamental difference between a rite that has always been a real and visible sacrifice to God in myriad words and gestures, and one designed to focus on human beings sharing a meal. Trying to change that modern focus is where you get into violating the letter of the Novus Ordo, above all in the Offertory, which in new terms is usually called the Presentation or Preparation of the Gifts.

      • Julian D. Woodruff

        In my 1st response I must have been half asleep. If you are thinking of laymen processing to the sanctuary with the gifts to the tune of some wretched congregational hymnal instead of an offertory within the sanctuary involving properly vested and trained servers, with prayer translated (not adapted) from the psalms (usually) and optionally sung to music granted “pride of place,” you are quite right.

      • Margaret Coats

        Julian, I was not thinking of the undignified ceremonies you describe. They are so little attractive to Mass-goers that few volunteer to perform them, and sometimes the priest must wait in the sanctuary, and call out to demand that someone bring up the gifts.

        I was thinking of the required prayers. As one priest who helped write them later confirmed, they are nothing but a table blessing, even in the Latin original that is almost never heard.
        Nothing in them anticipates the most awesome of all sacrifices that is shortly to be immolated (if the ritual taking place is actually a Catholic Mass). And the Offertory is one of three essential parts of the rite, along with Consecration and Communion. The bad translations of the Consecration were finally corrected by Pope Benedict after decades of questionably valid Masses in most vernaculars. I have stopped paying attention to the numerous revisions and additions to the New Order Mass, so I cannot say whether its original Offertory text has been so violated as to be improved in the last twenty years.

      • Margaret Coats

        Julian, I made a reply to you that got swallowed by the system. I have found sometimes that it gets released if I make another one. Here goes.

  8. Julian D. Woodruff

    Thank you, Margaret. I am not very observant, nor have I ever studied the rubrics for either form or any other relevant documents, so to this day I’m fuzzy about the whole issue. I am aware of the gross lapses in dignity and depth that have become an ordinary part of celebrating the “ordinary” form. Whether these were implicit in the design of the N.O. or extraneous accretions that rushed in through the doings of overly zealous, under-educated “liturgists,” I don’t know.
    I do think there is a direct correlation between the rise of the N.O. as we see it normally and the current state of things generally in the Western world.

    • Sasha A. Palmer

      One of the first things a newcomer to the Latin Mass notices is the number of young families, with lots of children. A whole new generation has emerged that is hungry for reverence, mystery, and beauty. That gives me hope that TLM will survive the persecution, and come out of it stronger.

    • Margaret Coats

      You are certainly correct, Sasha. Some young couples choose the TLM for their wedding because it is more beautiful, and others start to think seriously, around the time for a child’s First Communion, about the kind of teaching and impressions they want their children to receive. And during the past year and a half, it has proved that TLM people are the ones who most want to be at church. My parish, which had had one Sunday TLM, went to three as the demand grew.

      • Joseph S. Salemi

        My wife and I were married in a Tridentine Rite Latin nuptial mass, but the celebrant (an elderly Monsignor) had to get permission from the local bishop to perform the ceremony.

        I doubt if such permission would be granted today.

  9. James Sale

    Sasha, the enjambement leading into the penultimate line creates a powerful caesura that charges the remaining tetrameter, which is then balanced with another tetrameter – and the caesura now coming (chiasmatically) at the end of the fourth foot. Leaving – a brilliant rhyme ending whereby the ‘the popes are men’ is wholly undermined by ‘Amen’ (and there is a great pun there too!) Fabulous writing – simple, but really complex, Love it.


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