Illustration from Canterbury Tales‘Twelve Chaucerian Limericks’ by Joseph S. Salemi The Society December 20, 2021 Chaucer, Culture, Humor, Limerick, Poetry 19 Comments . Twelve Chaucerian Limericks for Paul Freeman Some pilgrims went riding to Kent, And here’s how the journey was spent: As they traipsed through the dale They each told a tale Of sacred or worldly intent. Some of the stories were clean, And others absurd or obscene. Whether gentle or lout, Each pilgrim cranked out Tales noble or pious or mean. One hundred and twenty all told Was the number of tales to unfold. But Chaucer dropped dead Like a sinker of lead And twenty or so’s what we hold. The Knight’s Tale, chivalric and pure, Was about courtly love, and I’m sure Folks listened politely But in truth (and quite rightly) Found it dreary and hard to endure. The Miller respected no rule— He was vulgar, obtuse, and uncool. He showed no restraint In his tale of young queynte And a fart in the face of a fool. The Clerk spoke of patient Griselda: How nothing her spouse asked repelled her. It was all just a test And she proved herself best, But I think any more would have felled her. The Nun’s Priest described a proud chicken Whose dream caused his terrors to thicken. A fox came and grabbed him But the smart bird out-blabbed him And so he’s alive and still kickin’. The Summoner solved an impasse: How to equally share a fart’s gas. For a friar had one He was given in fun When groping around some guy’s ass. The Reeve’s Tale is sordid and lewd And shouldn’t be read by a prude. While a bully was sleeping Two students went creeping And his wife and his daughter were screwed. The Wife of Bath married quite often (Five spouses went off in a coffin). Her tale touched on strife Between husband and wife And why female strength shouldn’t soften. The Pardoner told of three men Who went out to murder, but then Their vile greed for pelf Brought them to Death itself, And now they’re in Lucifer’s pen. As for the rest, I keep still— Their complexities baffle my skill. But read ‘em, I’m urgin’ (Whether harlot or virgin) To get a medievalist thrill. . . Joseph S. Salemi has published five books of poetry, and his poems, translations and scholarly articles have appeared in over one hundred publications world-wide. He is the editor of the literary magazine Trinacria and writes for Expansive Poetry On-line. He teaches in the Department of Humanities at New York University and in the Department of Classical Languages at Hunter College. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email a link to a friend (Opens in new window)Click to share on Pinterest (Opens in new window)Trending now: 19 Responses Damian Robin December 20, 2021 Thanks for the education, a bit of an elevation to who’ve not read them all but can see they’re a ball and gain much from this learned impregnation. Thank you, Dr J Reply James A. Tweedie December 20, 2021 At least, if not more entertaining than the original! Now if only you can do the same with The Faerie Queene . . . Merry Christmas. Reply Damian Robin December 20, 2021 see https://www.amazon.co.uk/gp/product/B09L8PVVFX/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 Someone we know has already done a version, Jim. Reply James Sale December 21, 2021 Hi James – on the subject of the Faerie Queen, I have to tell you, though clearly I am biassed, but my son, Joseph, has only this last week published a continuation of the FQ which I think awesome: https://amzn.to/3EiFuln Reply James A. Tweedie December 21, 2021 Father’s are never biased. They are almost always the first to know when their sons or daughters do something awesome! (But did he do it in limericks? lol) But no worries, pride in others doesn’t count as one of The Seven! Merry Christmas, James. James Sale December 22, 2021 Ha ha ha! It would be epic to attempt to render it in limerick form, though I think it would defeat the high seriousness of Spenser’s verse! It’s in six volumes and the sixth one covers the virtue of Magnanimity. To give you a flavour, here is a favourite extract of mine from one Canto’s ending: Hyperion, his face a grimmer mask than any menpo forged in Eastern Isles, strained with effort to control his steeds confused, why they were backward leashed, the clouds conspired, and earth trembled, never had he broken Law, never disobeyed his one eternal Quest, but now, at virtue’s end, he broke his vow: the Sun was rising in the West. ‘the Sun was rising in the West ‘ – now that is epic! Merry Christmas to you too! Brian Yapko December 20, 2021 These are hilarious, each one better than the rest. The Miller’s Tale is my favorite — both the story and the limerick. When I was first introduced to The Canterbury Tales as an undergrad it was a revelation. I had always thought Medieval literature would be stuffy and uptight. It turned out to be fully fleshed, with as much ribaldry as chastity. One of my favorite lines in all literature: “Teehee” quod she. Reply Joseph S. Salemi December 20, 2021 Medieval literature is rollicking in its sensuality. My undergraduate students are amazed at how openly and freely sex is discussed (in mixed company!) in The Wife of Bath’s Tale. The French Roman de la Rose is essentially a long allegory about breaking a hymen, and the seduction scenes in Sir Gawain and The Green Knight are unforgettable. Reply Jeff Eardley December 20, 2021 Mr Salemi, a highly enjoyable and rollicking read and a lovely diversion from all this Omicron depression. There are some great rhymes here which could only come from a New-Yorker. I love it, thank you. Reply D.G. Rowe December 21, 2021 Cor, wicked good! A rollicking cheers from I. Reply Paul Freeman December 21, 2021 Thank you very much for the dedication, Joseph. Chaucer was a large part of my life for a long while: The Squire’s Tale’ is considered unfinished because its telling was curtailed by the other Pilgrims. However, I get the feeling this was a fashion of the time (a sort of a never-ending shaggy dog tale), just like punning was fashionable in Shakespeare’s time. Anyhow, making it a Baker’s dozen of limericks: The Squire (a playful young pup) had a little too much of the cup. When he tried to regale with a rambling tale he was told, “That’s enough! Please shut up!” Reply Peter Hartley December 21, 2021 Joe S – vastly funny, hilarious even. When I was at school we only studied the Prologue and the Nun’s Priest’s tale but of course we all read the Miller’s Tale and the Summoner’s tale with our English teacher’s approval for extra-curricular amusement. I remember thinking the method adopted as a means of sharing a fart couldn’t really work unless the spokes were hollow. Interesting that it is still not quite comme il faut to translate queynte into modern English. Reply Joseph S. Salemi December 21, 2021 I couldn’t use the modern c–t (a direct reflex of queynte) because I needed a solid rhyme with “restraint.” (The one place where slant-rhyme or off-rhyme is really intolerable is in limericks). But a poet in the latest issue of TRINACRIA does use the unbowdlerized modern term as a rhyme in one of his poems. Reply Peter Hartley December 21, 2021 And Paul – that is a wonderful Limerick to round them all off with. Certainly in Chaucer’s day these pilgrims would have had no hesitation whatsoever in curtailing anybody’s tale if it bored them. Some of Shakespeare’s puns do seem a bit forced and excruciating today, and “country matters” in Hamlet caused a few raised eyebrows when I was at school. Christopher Marlowe’s best play, “Edward II,” is truly delightful to see especially, as I did, in “theatre in the round.” Reply David Watt December 21, 2021 I was introduced to the Canterbury Tales in early High School and was surprised to find life and lust in medieval literature. Your limericks are a load of fun, and add their own vitality to each tale. My favorite rhyme set is chicken/thicken/kickin’ because the use of slang fits perfectly into the freewheeling limerick form. Reply Sally Cook December 21, 2021 Funny how little people change, isn’t it? And yet, how ingenious we are at finding new ways of saying the same old things”Seems we are always making up new rules for saying them. Right at the moment, as we wade through the sludge of PC ware wading through the sludge of PC, things seem pretty hopeles, so far as the nesx few generations go. Take heart ! There is bound to be at least one Joe Salemi in each generation, mixing it up with impunity, and not wearing a mask; Reply C.B. Anderson December 21, 2021 You nailed that point, Sally. Salemi never wears a mask, and he always calls ’em as he sees ’em. Reply Susan Jarvis Bryant December 24, 2021 I love these. If only all study guides on literature were in limerick form – the thread of each story would be unforgettable. Your Nun’s Priest’s Tale has taken me back to that noble cock called Chaunticleer… and given me a greater affection for him. Thank you! Reply Joseph S. Salemi December 28, 2021 Susan, thanks for your kind comment, which I did not see until today. When I was in college the professor would not teach The Nun’s Priest’s Tale because it had a line about how Chaunticleer “trod” his girlfriend-hen Pertelot several times. Middle English “trod” meant “screwed, or laid.” Crazy, was it not? What else would a barnyard rooster do with a hen? 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Damian Robin December 20, 2021 Thanks for the education, a bit of an elevation to who’ve not read them all but can see they’re a ball and gain much from this learned impregnation. Thank you, Dr J Reply
James A. Tweedie December 20, 2021 At least, if not more entertaining than the original! Now if only you can do the same with The Faerie Queene . . . Merry Christmas. Reply
Damian Robin December 20, 2021 see https://www.amazon.co.uk/gp/product/B09L8PVVFX/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 Someone we know has already done a version, Jim. Reply
James Sale December 21, 2021 Hi James – on the subject of the Faerie Queen, I have to tell you, though clearly I am biassed, but my son, Joseph, has only this last week published a continuation of the FQ which I think awesome: https://amzn.to/3EiFuln Reply
James A. Tweedie December 21, 2021 Father’s are never biased. They are almost always the first to know when their sons or daughters do something awesome! (But did he do it in limericks? lol) But no worries, pride in others doesn’t count as one of The Seven! Merry Christmas, James.
James Sale December 22, 2021 Ha ha ha! It would be epic to attempt to render it in limerick form, though I think it would defeat the high seriousness of Spenser’s verse! It’s in six volumes and the sixth one covers the virtue of Magnanimity. To give you a flavour, here is a favourite extract of mine from one Canto’s ending: Hyperion, his face a grimmer mask than any menpo forged in Eastern Isles, strained with effort to control his steeds confused, why they were backward leashed, the clouds conspired, and earth trembled, never had he broken Law, never disobeyed his one eternal Quest, but now, at virtue’s end, he broke his vow: the Sun was rising in the West. ‘the Sun was rising in the West ‘ – now that is epic! Merry Christmas to you too!
Brian Yapko December 20, 2021 These are hilarious, each one better than the rest. The Miller’s Tale is my favorite — both the story and the limerick. When I was first introduced to The Canterbury Tales as an undergrad it was a revelation. I had always thought Medieval literature would be stuffy and uptight. It turned out to be fully fleshed, with as much ribaldry as chastity. One of my favorite lines in all literature: “Teehee” quod she. Reply
Joseph S. Salemi December 20, 2021 Medieval literature is rollicking in its sensuality. My undergraduate students are amazed at how openly and freely sex is discussed (in mixed company!) in The Wife of Bath’s Tale. The French Roman de la Rose is essentially a long allegory about breaking a hymen, and the seduction scenes in Sir Gawain and The Green Knight are unforgettable. Reply
Jeff Eardley December 20, 2021 Mr Salemi, a highly enjoyable and rollicking read and a lovely diversion from all this Omicron depression. There are some great rhymes here which could only come from a New-Yorker. I love it, thank you. Reply
Paul Freeman December 21, 2021 Thank you very much for the dedication, Joseph. Chaucer was a large part of my life for a long while: The Squire’s Tale’ is considered unfinished because its telling was curtailed by the other Pilgrims. However, I get the feeling this was a fashion of the time (a sort of a never-ending shaggy dog tale), just like punning was fashionable in Shakespeare’s time. Anyhow, making it a Baker’s dozen of limericks: The Squire (a playful young pup) had a little too much of the cup. When he tried to regale with a rambling tale he was told, “That’s enough! Please shut up!” Reply
Peter Hartley December 21, 2021 Joe S – vastly funny, hilarious even. When I was at school we only studied the Prologue and the Nun’s Priest’s tale but of course we all read the Miller’s Tale and the Summoner’s tale with our English teacher’s approval for extra-curricular amusement. I remember thinking the method adopted as a means of sharing a fart couldn’t really work unless the spokes were hollow. Interesting that it is still not quite comme il faut to translate queynte into modern English. Reply
Joseph S. Salemi December 21, 2021 I couldn’t use the modern c–t (a direct reflex of queynte) because I needed a solid rhyme with “restraint.” (The one place where slant-rhyme or off-rhyme is really intolerable is in limericks). But a poet in the latest issue of TRINACRIA does use the unbowdlerized modern term as a rhyme in one of his poems. Reply
Peter Hartley December 21, 2021 And Paul – that is a wonderful Limerick to round them all off with. Certainly in Chaucer’s day these pilgrims would have had no hesitation whatsoever in curtailing anybody’s tale if it bored them. Some of Shakespeare’s puns do seem a bit forced and excruciating today, and “country matters” in Hamlet caused a few raised eyebrows when I was at school. Christopher Marlowe’s best play, “Edward II,” is truly delightful to see especially, as I did, in “theatre in the round.” Reply
David Watt December 21, 2021 I was introduced to the Canterbury Tales in early High School and was surprised to find life and lust in medieval literature. Your limericks are a load of fun, and add their own vitality to each tale. My favorite rhyme set is chicken/thicken/kickin’ because the use of slang fits perfectly into the freewheeling limerick form. Reply
Sally Cook December 21, 2021 Funny how little people change, isn’t it? And yet, how ingenious we are at finding new ways of saying the same old things”Seems we are always making up new rules for saying them. Right at the moment, as we wade through the sludge of PC ware wading through the sludge of PC, things seem pretty hopeles, so far as the nesx few generations go. Take heart ! There is bound to be at least one Joe Salemi in each generation, mixing it up with impunity, and not wearing a mask; Reply
C.B. Anderson December 21, 2021 You nailed that point, Sally. Salemi never wears a mask, and he always calls ’em as he sees ’em. Reply
Susan Jarvis Bryant December 24, 2021 I love these. If only all study guides on literature were in limerick form – the thread of each story would be unforgettable. Your Nun’s Priest’s Tale has taken me back to that noble cock called Chaunticleer… and given me a greater affection for him. Thank you! Reply
Joseph S. Salemi December 28, 2021 Susan, thanks for your kind comment, which I did not see until today. When I was in college the professor would not teach The Nun’s Priest’s Tale because it had a line about how Chaunticleer “trod” his girlfriend-hen Pertelot several times. Middle English “trod” meant “screwed, or laid.” Crazy, was it not? What else would a barnyard rooster do with a hen? Reply