"Fishing Party" by Fitz Henry Lane‘When Light Begins to Dim’ by James Green The Society November 23, 2022 Beauty, Poetry 9 Comments . When Light Begins to Dim When light begins to dim and color fades, the shape of things begins to matter more. An edge defines, the angles hint, and shades of layered grays I never knew before come faintly first to rinse the unsunned sky of what remembrance holds of hue and tone then heavily the last of twilight dies, falls underground, fine-winnowed, hushed, and lone. In time we grow familiar with the night. The eye will tune to nuance, silhouette and shadow when the dying of the light is put away; then vision turns complete and in the hollow of the night we find the lucid line. . . James Green is a retired university professor and administrator. He has published five chapbooks of poetry and individual poems have appeared in literary journals in Ireland, the UK, and the USA. His previous works have been nominated for “Best of the Net” and the Modern Language Association Book of the Year, and his chapbook titled Long Journey Home: Poems on Classical Myths won the Charles Dickson Prize sponsored by the Georgia Poetry Society. His website can be found at www.jamesgreenpoetry.net. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email a link to a friend (Opens in new window)Click to share on Pinterest (Opens in new window)Trending now: 9 Responses g.KayeNaegele November 23, 2022 A beautifully phrased description of the descent into night. I’ve always personally felt the depth of existence lives in the greys of light and dark and feel esence, the “lucid” line is to be found there. Enjoyed, well done. Reply James Green November 24, 2022 Thank you! Emerson wrote that everything concrete is a metaphor (or words to that effect). You seem to recognize that the space between light and dark can have multiple layers of meaning as well as varied tones of gray. Reply Sally Cook November 23, 2022 First thing, I thought this was a poem about losing one’s sight. Does that enter into it? You have some remarkably fine and subtle comparisons and definitions in this poem. I do hope you will send more. Reply James Green November 24, 2022 Honestly, I did not write with that in mind. I meant to use the physical qualities of twilight as entry to the space between the conscious state and the subconscious state. Another reader has commented elsewhere that he reads it as a passing from one one state of life to another. What I like about poetry is that the reader engages in the creative process along with the poet. Reply Julian D. Woodruff November 23, 2022 “… to rinse the unsunned sky / of what remembrance holds …”: this stream of words would make any poet envious. Reply James Green November 24, 2022 Thank you for your kind words. Twilight gives us a lot to work with, doesn’t it? Reply Cynthia Erlandson November 24, 2022 Beautiful description of something hard to describe! It’s like a painting in words. “come faintly first to rinse the unsunned sky” is my favorite line. Reply James Green November 24, 2022 Many thanks for your comment. The “faintly first” phrase came about in response to the demand of meter. What I like about formal verse is that the form can become the energy for finding an inventive turn of phrase. Of course, I also have written more than my share of clunkers while trying to adhere to a form. Reply Cynthia Erlandson November 25, 2022 I agree – Form enhances freedom! Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. Δ This site uses Akismet to reduce spam. Learn how your comment data is processed.
g.KayeNaegele November 23, 2022 A beautifully phrased description of the descent into night. I’ve always personally felt the depth of existence lives in the greys of light and dark and feel esence, the “lucid” line is to be found there. Enjoyed, well done. Reply
James Green November 24, 2022 Thank you! Emerson wrote that everything concrete is a metaphor (or words to that effect). You seem to recognize that the space between light and dark can have multiple layers of meaning as well as varied tones of gray. Reply
Sally Cook November 23, 2022 First thing, I thought this was a poem about losing one’s sight. Does that enter into it? You have some remarkably fine and subtle comparisons and definitions in this poem. I do hope you will send more. Reply
James Green November 24, 2022 Honestly, I did not write with that in mind. I meant to use the physical qualities of twilight as entry to the space between the conscious state and the subconscious state. Another reader has commented elsewhere that he reads it as a passing from one one state of life to another. What I like about poetry is that the reader engages in the creative process along with the poet. Reply
Julian D. Woodruff November 23, 2022 “… to rinse the unsunned sky / of what remembrance holds …”: this stream of words would make any poet envious. Reply
James Green November 24, 2022 Thank you for your kind words. Twilight gives us a lot to work with, doesn’t it? Reply
Cynthia Erlandson November 24, 2022 Beautiful description of something hard to describe! It’s like a painting in words. “come faintly first to rinse the unsunned sky” is my favorite line. Reply
James Green November 24, 2022 Many thanks for your comment. The “faintly first” phrase came about in response to the demand of meter. What I like about formal verse is that the form can become the energy for finding an inventive turn of phrase. Of course, I also have written more than my share of clunkers while trying to adhere to a form. Reply