Courtyard of the Bahrain Fort, Manama, Bahrain‘Rhymeless in Manama’ and Other Poetry by Wael Almahdi The Society May 18, 2023 Beauty, Culture, Poetry 15 Comments . Rhymeless in Manama My UK friend said, “Rhyme is old, you need to venture free and bold.” My Turkish friend said, “Rhyme’s a must, a rhymeless bard deserves no trust.” But I found out I needn’t choose I better leave it to my Muse: she knows this poem needs to rhyme with measured phonemes set to time. It seems to be a modern curse: the spread of bland and fractured verse. . . Pacing in the Park Twelve years ago, or thereabouts And add some months, more give than take I walked in circles in the park And puffed on cigs without a break. I thought upon exams and grades For did I fail? – what utter ache! My eye was cold, my heart was bold My whole career was put at stake. With numbers dancing in a whirl My head was full of digits still. A text came in: I did alright, My work at last had fit the bill. Oh joy of joys, oh merry leaps Oh lease on life, begone the gloom! My back now straight, with merry gait Apocalypse no longer loomed. And now, I’m back in that green park I’d rather let those shadows lie I hear my kids call from afar They drown my thoughts in joyful cries. . . Wael Almahdi is a poet from the island of Bahrain. He has been a dentist for 12 years. He has also worked in English Arabic translation for 20 years. His poem “Rain” is slated to appear in the print edition of Arablit Quarterly. He can read a number of languages including Arabic, Persian, Hebrew, French, and Esperanto. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email a link to a friend (Opens in new window)Click to share on Pinterest (Opens in new window)Trending now: 15 Responses Monika Cooper May 18, 2023 “I better leave it to my Muse.” I concur with that strategy. Every poem finds its own way and, ironically enough, “Rhymeless in Manama” needs to rhyme. I’m also glad to have the anguish and anxieties of student days behind me. Parenthood has its own moments of anxiety but it’s much more characterized by peace, fruition, and joy, as the last stanza of “Pacing in the Park” expresses beautifully. Line two, stanza two, of “Pacing in the Park”: you might consider changing the phrase to “if I failed?” or “should I fail?” Either of those sounds somewhat more natural to me than what you have now. I enjoyed them both. Thank you! Reply WAEL Almahdi May 18, 2023 Thanks for your comment Reply Roy Eugene Peterson May 18, 2023 When I am in the writing zone, I attribute it to my Muse and am always pleasantly surprised with the results (at least pleasant in my view). I was worried “Rhymeless…” was going to be a cursed blank verse, but was so thankful it came out the way it did with the conclusion that it would have been “bland and fractured verse.” “Pacing in the Park” brought back memories of my final exam days. Reply WAEL Almahdi May 18, 2023 Thank you Roy Reply Paul Freeman May 18, 2023 Hi, again Wa’el. Yes, that muse does tell us which way to jump. I wrote about the sunken ship Endeavour in both rhyme and free verse a while back and that muse urged on both versions I enjoyed your poems. The paper chase was everything when we were students, and now we wonder what the fuss was all about. May I add my own suggestion to Monika’s – ‘for had I failed’, the ‘if’ being read in. And may I add my own suggestion that you consider changing the last line of ‘Pacing in the Park’ to ‘… in joyful cry’, otherwise ‘…with joyful cries’. I think ‘cry’ works as a noncount noun in the former, as long as your poetic licence hasn’t expired. I’m sure others may have a view on this. By the way, Wa’el, I wrote a sonnet about ‘The Tree of Life’, in Bahrain after reading your ‘Delmon’s Progeny’, though I left out the camels that were munching on its branches – fortunately it’s the most resilient of trees. The poem is entered for a competition at the moment, but I’ll see about posting it on SCP once the competition is over – if the submissions’ board finds it worthy. Thanks for the reads. Reply WAEL Almahdi May 18, 2023 Sounds awesome Roy. Can I see it privately? I would love that Reply WAEL Almahdi May 18, 2023 Btw it’s an honor to have been indirectly involved in your creative process Reply Paul Freeman May 18, 2023 Thank you. Sometimes we have memories of places just below the surface that need just that little nudge to re-emerge. Paddy Raghunathan May 18, 2023 Wael, There was a time when I believed poetry ought to be written in meter and rhyme alone. I still favor metered rhyme, and 99.9% of my poems are written in rhyme and meter. So, it’s a real pleasure to read your poems. You write with sincerity, and joy. Bt I’ve also read some free verse that have touched my heart, and have myself dabbled in writing a few…very few. I had to, because I couldn’t restrain my muse. But for the most part, my muse directs me to write metered-rhymed verse only. Long live the “meter-rhyme muse” in all of us! Keep writing. Best regards, Paddy Reply WAEL Almahdi May 18, 2023 Thank you for your kind words Paddy. I write in meter and also unrhymed and unmetered, depending on the subject. Maybe we can correspond? Reply Rohini sunderam May 18, 2023 Wael! How did we never meet! I love your poems and the fact that it’s metered means your muse is alive and well. I left Bahrain a year ago and miss it immensely. Reply Wael May 19, 2023 That’s awesome Rohini! Maybe we can correspond Reply Phil S. Rogers May 18, 2023 Agreeing with Paddy, some free verse can be meaningful and inspiring to read, but perhaps because of my age, I feel there is no substitute for rhyme and meter. They help to ‘frame’ the writer’s thinking and connect with the reader. Reply C.B. Anderson May 18, 2023 Two more lively poems, Wael, I doubt I have ever read. I do wonder, however, where you learned your technical skills. Bahrain is a long way from England. Your English is idiomatically perfect, and your lines fairly crackle with energy, while they are laden with coherent thoughts. Reply WAEL Almahdi May 19, 2023 I learned English in America as a child. Then a lot of nerdy reading! Hahaha. Really appreciate your encouraging words C.B.! 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Monika Cooper May 18, 2023 “I better leave it to my Muse.” I concur with that strategy. Every poem finds its own way and, ironically enough, “Rhymeless in Manama” needs to rhyme. I’m also glad to have the anguish and anxieties of student days behind me. Parenthood has its own moments of anxiety but it’s much more characterized by peace, fruition, and joy, as the last stanza of “Pacing in the Park” expresses beautifully. Line two, stanza two, of “Pacing in the Park”: you might consider changing the phrase to “if I failed?” or “should I fail?” Either of those sounds somewhat more natural to me than what you have now. I enjoyed them both. Thank you! Reply
Roy Eugene Peterson May 18, 2023 When I am in the writing zone, I attribute it to my Muse and am always pleasantly surprised with the results (at least pleasant in my view). I was worried “Rhymeless…” was going to be a cursed blank verse, but was so thankful it came out the way it did with the conclusion that it would have been “bland and fractured verse.” “Pacing in the Park” brought back memories of my final exam days. Reply
Paul Freeman May 18, 2023 Hi, again Wa’el. Yes, that muse does tell us which way to jump. I wrote about the sunken ship Endeavour in both rhyme and free verse a while back and that muse urged on both versions I enjoyed your poems. The paper chase was everything when we were students, and now we wonder what the fuss was all about. May I add my own suggestion to Monika’s – ‘for had I failed’, the ‘if’ being read in. And may I add my own suggestion that you consider changing the last line of ‘Pacing in the Park’ to ‘… in joyful cry’, otherwise ‘…with joyful cries’. I think ‘cry’ works as a noncount noun in the former, as long as your poetic licence hasn’t expired. I’m sure others may have a view on this. By the way, Wa’el, I wrote a sonnet about ‘The Tree of Life’, in Bahrain after reading your ‘Delmon’s Progeny’, though I left out the camels that were munching on its branches – fortunately it’s the most resilient of trees. The poem is entered for a competition at the moment, but I’ll see about posting it on SCP once the competition is over – if the submissions’ board finds it worthy. Thanks for the reads. Reply
WAEL Almahdi May 18, 2023 Btw it’s an honor to have been indirectly involved in your creative process Reply
Paul Freeman May 18, 2023 Thank you. Sometimes we have memories of places just below the surface that need just that little nudge to re-emerge.
Paddy Raghunathan May 18, 2023 Wael, There was a time when I believed poetry ought to be written in meter and rhyme alone. I still favor metered rhyme, and 99.9% of my poems are written in rhyme and meter. So, it’s a real pleasure to read your poems. You write with sincerity, and joy. Bt I’ve also read some free verse that have touched my heart, and have myself dabbled in writing a few…very few. I had to, because I couldn’t restrain my muse. But for the most part, my muse directs me to write metered-rhymed verse only. Long live the “meter-rhyme muse” in all of us! Keep writing. Best regards, Paddy Reply
WAEL Almahdi May 18, 2023 Thank you for your kind words Paddy. I write in meter and also unrhymed and unmetered, depending on the subject. Maybe we can correspond? Reply
Rohini sunderam May 18, 2023 Wael! How did we never meet! I love your poems and the fact that it’s metered means your muse is alive and well. I left Bahrain a year ago and miss it immensely. Reply
Phil S. Rogers May 18, 2023 Agreeing with Paddy, some free verse can be meaningful and inspiring to read, but perhaps because of my age, I feel there is no substitute for rhyme and meter. They help to ‘frame’ the writer’s thinking and connect with the reader. Reply
C.B. Anderson May 18, 2023 Two more lively poems, Wael, I doubt I have ever read. I do wonder, however, where you learned your technical skills. Bahrain is a long way from England. Your English is idiomatically perfect, and your lines fairly crackle with energy, while they are laden with coherent thoughts. Reply
WAEL Almahdi May 19, 2023 I learned English in America as a child. Then a lot of nerdy reading! Hahaha. Really appreciate your encouraging words C.B.! Reply