"God the Father" by Vasnetsov‘Father’ and Other Poetry by Alan Steinle The Society January 20, 2024 Beauty, Culture, Poetry 10 Comments . Father after “So Far, So Near,” by Christopher Pearse Cranch (1813-1892). Father, maker of all spirit, infinite, You can ensphere it. Still, You enter all that’s living: raising, guiding, and forgiving. Of all worlds, You are the spawner. You alone deserve our honor. All things good You don’t deny us. Idols never satisfy us. Love is what You are, unceasing. Joy that’s shared must keep increasing. Fear’s the weapon of our foeman. Peace and love are barred to no man. Holy Spirit longs to teach us. When we’re ready, You will reach us. Knowing that Your kingdom’s coming, hearts and minds we keep on plumbing. Longing to rejoice in heaven, we have faith that is the leaven. Patience! All things come in order. You’re the final faith rewarder. . . A New Technique The acts we choose and words we speak come from a heart that’s proud or meek. When we attack, our lives grow weak. When we forgive, it’s peace we seek. To form a group, a special clique, our friends we choose, our foes critique. But we’re the same and not unique, despite the look of our physique. To reach the top and view the peak, we must unite just like a creek that merges with a stream oblique, and we must learn a new technique: We overlook each former week that with its loveless acts did reek, that earth might have a new mystique and lives not be perceived as bleak. . . Every Flower Every flower has its hour Petals hidden till they’re bidden Sun inviting, blooms delighting Life-extending rain descending Bees come flying, pollen eyeing Blooms diurnal aren’t eternal Petals falling, higher calling Heaven’s sector, sweeter nectar Call of Spirit, can you hear it? . . Alan Steinle, originally from Oklahoma, is a writer, editor, and translator. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email a link to a friend (Opens in new window)Click to share on Pinterest (Opens in new window)Trending now: 10 Responses Roy Eugene Peterson January 20, 2024 Wonderful internal rhyme in “Every Flower.” Excellent rhymes in all three of your poems. Reply V. Paige Parker January 20, 2024 Wow! Such beautiful, steady rhythm and exact rhymes! I love these poems. They could be immediately set to music. Excellent job! Reply Alan Steinle January 20, 2024 Thanks, Paige. “Father” was written in trochaic tetrameter. It is one of my first poems in trochaic meter. I try to minimize inversions, but I relaxed that rule for this poem. After I submitted it, I reexamined the inversions, and one that I particularly don’t care for (“Of all worlds, You are the spawner.”) could have been written as, “You’re the star and planet spawner.” Making music is something I know little about. I like your suggestion, though. Reply Alan Steinle January 20, 2024 Thank you, Roy. The poem “Every Flower” was kind of an experiment. It started with the thought, “Every flower has its day in the sun.” This became, “Every flower has its hour,” and I continued this trochaic meter for eight more lines. Reply Norma Pain January 20, 2024 I really enjoyed all three of these poems Alan, especially “Father” and “Every Flower”. Reply Alan Steinle January 20, 2024 Good to hear, Norma. Yesterday, I translated a poem by Luis de Góngora, a Spanish poet. He used different flowers to represent the ephemeral nature of life. This idea is probably as old as humans and flowers, and Jesus, of course, spoke of the lilies or grass of the field. Isaiah 40:7 (ESV) says, “The grass withers, the flower fades when the breath of the LORD blows on it; surely the people are grass.” Reply Jeremiah Johnson January 20, 2024 This feels like “8 Mile” formal verse style – it’s got that hip-hop sense to it, and I could imagine someone dropping the mike at the end of it – except that that gesture wouldn’t fit the humility of the position taken before the Father! Thanks for these 🙂 Reply Alan Steinle January 20, 2024 Thanks, Jeremiah. That’s interesting. I had to look up “8 Mile” on the Internet to make sense of your allusion. Apparently, it is a movie about an aspiring rapper. I can see how the shorter lines (8 syllables rather than the standard 10) and the internal rhymes of “Every Flower” could make you think of rap or hip hop. I think all genres of music can be positive or negative, depending on how they are used. Having said that, I don’t really care for the commercialism and competition in the music industry. Reply Shamik Banerjee January 21, 2024 Love all three poems. Apart from their respective messages, the rhyme scheme of ‘Every Flower’ takes centre stage. Thank you for sharing, Alan! Reply Alan Steinle January 21, 2024 Thank you, Shamik. Reply Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. Δ This site uses Akismet to reduce spam. Learn how your comment data is processed.
Roy Eugene Peterson January 20, 2024 Wonderful internal rhyme in “Every Flower.” Excellent rhymes in all three of your poems. Reply
V. Paige Parker January 20, 2024 Wow! Such beautiful, steady rhythm and exact rhymes! I love these poems. They could be immediately set to music. Excellent job! Reply
Alan Steinle January 20, 2024 Thanks, Paige. “Father” was written in trochaic tetrameter. It is one of my first poems in trochaic meter. I try to minimize inversions, but I relaxed that rule for this poem. After I submitted it, I reexamined the inversions, and one that I particularly don’t care for (“Of all worlds, You are the spawner.”) could have been written as, “You’re the star and planet spawner.” Making music is something I know little about. I like your suggestion, though. Reply
Alan Steinle January 20, 2024 Thank you, Roy. The poem “Every Flower” was kind of an experiment. It started with the thought, “Every flower has its day in the sun.” This became, “Every flower has its hour,” and I continued this trochaic meter for eight more lines. Reply
Norma Pain January 20, 2024 I really enjoyed all three of these poems Alan, especially “Father” and “Every Flower”. Reply
Alan Steinle January 20, 2024 Good to hear, Norma. Yesterday, I translated a poem by Luis de Góngora, a Spanish poet. He used different flowers to represent the ephemeral nature of life. This idea is probably as old as humans and flowers, and Jesus, of course, spoke of the lilies or grass of the field. Isaiah 40:7 (ESV) says, “The grass withers, the flower fades when the breath of the LORD blows on it; surely the people are grass.” Reply
Jeremiah Johnson January 20, 2024 This feels like “8 Mile” formal verse style – it’s got that hip-hop sense to it, and I could imagine someone dropping the mike at the end of it – except that that gesture wouldn’t fit the humility of the position taken before the Father! Thanks for these 🙂 Reply
Alan Steinle January 20, 2024 Thanks, Jeremiah. That’s interesting. I had to look up “8 Mile” on the Internet to make sense of your allusion. Apparently, it is a movie about an aspiring rapper. I can see how the shorter lines (8 syllables rather than the standard 10) and the internal rhymes of “Every Flower” could make you think of rap or hip hop. I think all genres of music can be positive or negative, depending on how they are used. Having said that, I don’t really care for the commercialism and competition in the music industry. Reply
Shamik Banerjee January 21, 2024 Love all three poems. Apart from their respective messages, the rhyme scheme of ‘Every Flower’ takes centre stage. Thank you for sharing, Alan! Reply