"The Temptation of Christ" by Ary SchefferThree Meditations in Verse by T.M. Moore The Society December 4, 2024 Beauty, Culture, Poetry 5 Comments . Meditation 1 “Grace has drawn nigh to mouths, once blasphemous, and has made them harps; sounding praise.” —Homily on Our Lord, (1) “Let your speech always be with grace.” —Colossians 4.6 Grace wields transforming power. Not even speech is free from its effects. Diffusing from a sin-cleansed soul, renewing grace will reach the world-besotted tongue where it will come like an invading army on a beach, to break out and subdue a troublesome old enemy. Transforming grace knows each dark redoubt or secluded place where dumb, vile foes lurk, waiting like a loathsome leech and clinging to the tongue-ground that has come into their power. In time, though, grace will teach the tongue new purposes and skills, the sum of which no worldly foe can fill the breach against for very long, but overcome by thanks and praise and edifying speech, surrenders all its holdings—all, not some. . Meditation 2 “But our Lord was trampled on by Death; and in His turn trod out a way over Death.” —Homily on Our Lord, (3) “He will bruise your head, and you will bruise His heel.” —Genesis 3.15 No doubt Ol’ Nick was smarting still from that first putdown long ago, when Jesus blocked his fiendish will and told him just where he could go. And after that, for three long years, the carpenter from Galilee punched Satan’s nose and boxed his ears and set the demon-harried free. Nick helpless watched as multitudes streamed after Jesus and were healed, and winced to hear them say, “This Dude’s for real!” But he refused to yield. And then he saw his chance to nail Him and to show Him who was boss. He took aim at His heel to whale Him with a rugged Roman cross. The blow struck home, and down He went, but short-lived was the victory, for three days later Jesus rent the bonds of death and took that tree and buried it in Ol’ Nick’s brain. Now, though he’s wounded mortally and destined for eternal pain, he still seeks woe for you and me. But Jesus has him on a chain and lets him wander there and here while He shuts down Nick’s vanquished reign and plunders all his stuff and gear. So when Ol’ Nick comes slinking by to turn you from the Jesus way, remember: Every word’s a lie that he suggests or he might say. So send him packing, lest he know from you complicity or fruit. He is a broken, beaten foe, so just give him the Jesus boot. . Meditation 3 “Thy Word has become a mirror before them, that in it they might see death, secretly swallowing up their lives.” —Homily on Our Lord (5) “This is a faithful saying and worthy of all acceptance, that Christ Jesus came into the world to save sinners, of whom I am chief.” —1 Timothy 1.15 Mirror, mirror, of the Word, who’s the foulest, most absurd, most self-centered, cruel and crude, most impatient, curt and rude, most inclined to stray from You and what You forbid, to do? Mirror, mirror plainly tell him who would be marked for hell but for your long-suffering grace. Show Him, show the world the face of the sloth who fails to pray and consult You every day, who more likely is to waste time and energy to taste idleness’s vanities, more a lazy soul to please than to know God’s filling grace and to gaze upon His face. Mirror, mirror, show it true– he to whom the crown is due as the chief of sinners! He whose faint heart You know and see, he whom death would swallow whole were it not that You his soul have redeemed and made Your own, and throughout Your truth have sown. Is it the apostle? So he insisted, but I know there’s another who could claim this dark honor, this grim fame. Mirror, mirror, him I see with heart-rending clarity as I search Your every line: That dread title could be mine! . All quotes are from St. Ephraim the Syrian. Hymns and Homilies of St. Ephraim the Syrian, Paul A. Böer, Sr., ed. Veritatis Splendor Publications. Kindle Edition. Scripture quotes are from the New King James Version. © Copyright 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. . . T. M. Moore is Principal of The Fellowship of Ailbe, a spiritual fellowship in the Celtic Christian tradition. He and his wife and editor, Susie, make their home in the Champlain Valley of Vermont. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to print (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to email a link to a friend (Opens in new window)Click to share on Pinterest (Opens in new window)Trending now: 5 Responses Roy Eugene Peterson December 4, 2024 Meditation I is a fantastic use of twin rhymes for the extent of the poem. Besides that, it is a wonderful poem about transforming grace. Meditation II is a well written poem about Satan as portrayed in the Bible and the concept that Jesus has him on a chain that can restrain “Nick” from those who are Christians through our faith and prayers. Meditation III: Beautiful in words, images, and reflections on our own human failures. Reply Cynthia Erlandson December 4, 2024 T.M., these are deep and well-woven meditations. To begin with, you have paired the epigraphs very insightfully! In your first meditation, it seems quite a feat to limit yourself to only two rhymes, yet they work well. “All, not some.” is an eye-opening ending. What intrigues me most about the second meditation is how you have managed to combine such serious subject matter with a humorous tone. I think it’s well done. I have to admit I laughed at multitudes / Dude’s! “Told him just where He could go” and “saw his chance to nail Him” are among other well-chosen phrases. “Mirror, mirror” is my favorite, a perfect metaphor that joins the two epigraphs, and fleshes them out. This whole poem was a wonderful idea. Reply T. M. December 5, 2024 Thank you both. I find reading older theologians and poets (Ephraim is fourth century, Syrian) somehow engages my contemplative bent more than most modern writers. And contemplation always sets me thinking about poetry. So thanks again for your thoughtful comments. Blessings. T. M. Reply Brian A. Yapko December 5, 2024 All three of these poems are skillfully wrought and offer insight into the nature of grace, the conflict between Christ and Satan; and the nature of Satan as it manifests in vain mortals. The tone of Meditation 2 is unique — contemporary, colloquial and playful despite the gravity of the subject. Although styled “a meditation” it is not meditative. Nor is it satiric, nor devotional. I’m reminded of Tim Rice’s irreverent lyrics in “Jesus Christ Superstar” and “Joseph and the Amazing Technicolor Dreamcoat.” I would be interested to know what your poetic intent here was. Meditation 3 is also possessed of an interesting tone with an incantorial rhythm and language which improvises on the Wicked Queen’s “mirror, mirror on the wall” from Snow White. Your borrowing from the fairy tale story is a good vehicle for a discussion of vanity and Satan’s influences historical and contemporary. Of the three, my favorite is Meditation 1 which offers a muscular interpretation of Christianity. It reminds me of the C.S. Lewis quote: “If you want a religion to make you feel really comfortable, I certainly don’t recommend Christianity.” You present the receipt of grace as something of a commission which is not easy and which is all-consuming but which is yet the best possible gift. Reply T. M. December 5, 2024 Brian: Thanks for those helpful insights and for your overall encouragement. I confess that I do find, in certain seasons of meditation, things that bring such delight to me that I’m provoked to, if I may call it, a kind of holy hilarity. Like God, laughing at the rebellious world in Psalm 2. I laugh, for example, to contemplate some white-coated scientist trying to explain their evolution to a community of leaves. They would not be able to restrain from laughing at such a nonsensical idea. I do not find humor, satire, or irony to be out of bounds for meditation. I see no reason why meditation, contemplation, and the like should be only somber and serious. But maybe that says more about me than about those disciplines. T. M. Reply Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Notify me of follow-up comments by email. Notify me of new posts by email. Δ This site uses Akismet to reduce spam. Learn how your comment data is processed.
Roy Eugene Peterson December 4, 2024 Meditation I is a fantastic use of twin rhymes for the extent of the poem. Besides that, it is a wonderful poem about transforming grace. Meditation II is a well written poem about Satan as portrayed in the Bible and the concept that Jesus has him on a chain that can restrain “Nick” from those who are Christians through our faith and prayers. Meditation III: Beautiful in words, images, and reflections on our own human failures. Reply
Cynthia Erlandson December 4, 2024 T.M., these are deep and well-woven meditations. To begin with, you have paired the epigraphs very insightfully! In your first meditation, it seems quite a feat to limit yourself to only two rhymes, yet they work well. “All, not some.” is an eye-opening ending. What intrigues me most about the second meditation is how you have managed to combine such serious subject matter with a humorous tone. I think it’s well done. I have to admit I laughed at multitudes / Dude’s! “Told him just where He could go” and “saw his chance to nail Him” are among other well-chosen phrases. “Mirror, mirror” is my favorite, a perfect metaphor that joins the two epigraphs, and fleshes them out. This whole poem was a wonderful idea. Reply
T. M. December 5, 2024 Thank you both. I find reading older theologians and poets (Ephraim is fourth century, Syrian) somehow engages my contemplative bent more than most modern writers. And contemplation always sets me thinking about poetry. So thanks again for your thoughtful comments. Blessings. T. M. Reply
Brian A. Yapko December 5, 2024 All three of these poems are skillfully wrought and offer insight into the nature of grace, the conflict between Christ and Satan; and the nature of Satan as it manifests in vain mortals. The tone of Meditation 2 is unique — contemporary, colloquial and playful despite the gravity of the subject. Although styled “a meditation” it is not meditative. Nor is it satiric, nor devotional. I’m reminded of Tim Rice’s irreverent lyrics in “Jesus Christ Superstar” and “Joseph and the Amazing Technicolor Dreamcoat.” I would be interested to know what your poetic intent here was. Meditation 3 is also possessed of an interesting tone with an incantorial rhythm and language which improvises on the Wicked Queen’s “mirror, mirror on the wall” from Snow White. Your borrowing from the fairy tale story is a good vehicle for a discussion of vanity and Satan’s influences historical and contemporary. Of the three, my favorite is Meditation 1 which offers a muscular interpretation of Christianity. It reminds me of the C.S. Lewis quote: “If you want a religion to make you feel really comfortable, I certainly don’t recommend Christianity.” You present the receipt of grace as something of a commission which is not easy and which is all-consuming but which is yet the best possible gift. Reply
T. M. December 5, 2024 Brian: Thanks for those helpful insights and for your overall encouragement. I confess that I do find, in certain seasons of meditation, things that bring such delight to me that I’m provoked to, if I may call it, a kind of holy hilarity. Like God, laughing at the rebellious world in Psalm 2. I laugh, for example, to contemplate some white-coated scientist trying to explain their evolution to a community of leaves. They would not be able to restrain from laughing at such a nonsensical idea. I do not find humor, satire, or irony to be out of bounds for meditation. I see no reason why meditation, contemplation, and the like should be only somber and serious. But maybe that says more about me than about those disciplines. T. M. Reply