"Through the Fields" by Winslow Homer‘A Ballad of Life’: A Poem by Margaret Brinton The Society April 12, 2025 Ekphrastic, Poetry 4 Comments . A Ballad of Life —after Winslow Homer’s “Through the Fields” They spoke of life unfolding, A future far from home. No more of country living— No fields, no farms, no loam. And so, they left for college, But still they kept in touch With letters always ending, “I miss you ever much.” The city lights were glowing O’er crowds and happy times. Perhaps they’ll each be noted As one whose status climbs. Life progressed in stages; Some troubles, just a few. Then each became a widow, And suddenly they knew. The countryside was calling— Those fields where they had run! They’ll dress again in cotton With bonnet for the sun. . . Margaret Brinton has lived in San Diego’s inland valley area for over forty years where she taught and tutored. Her poems have recently been published in California Quarterly and Westward Quarterly and The Lyric with upcoming work in the greeting card industry. NOTE TO READERS: If you enjoyed this poem or other content, please consider making a donation to the Society of Classical Poets. The Society of Classical Poets does not endorse any views expressed in individual poems or commentary. ***Read Our Comments Policy Here*** 4 Responses Roy Eugene Peterson April 12, 2025 This seems to be a tale of two young girls who became adults, kept in touch, and when they became widows, they returned to their roots. The clue to both being women is the final two lines mentioning, “They’ll dress again in cotton With bonnet for the sun.” This is such a sweet sentimental poem about returning to one’s roots and once again finding child-like innocence, fun, and joy that two souls once knew. Reply Margaret Brinton April 12, 2025 Yes, Roy, the circle of life, one might say. Margaret Reply Joseph S. Salemi April 12, 2025 I like the trimeter rhythm, and the fact that the odd-numbered lines of each quatrain end feminine, and without rhyme, while the even-numbered lines end masculine, and rhyme. This kind of simple, slow movement goes along perfectly with the subject matter, which is thoughtful and meditative. As an ekphrastic piece that is based on a work of art, it is clearly linked with the Winslow Homer picture. And the fact that the girls are timelessly young in the picture, while described as widows in the poem, suggests a cyclical homecoming of a symbolic nature. Reply Margaret Brinton April 12, 2025 Thank you for your kind analysis, Joseph. Reply Leave a Reply Cancel ReplyYour email address will not be published.CommentName* Email* Website Δ This site uses Akismet to reduce spam. Learn how your comment data is processed.
Roy Eugene Peterson April 12, 2025 This seems to be a tale of two young girls who became adults, kept in touch, and when they became widows, they returned to their roots. The clue to both being women is the final two lines mentioning, “They’ll dress again in cotton With bonnet for the sun.” This is such a sweet sentimental poem about returning to one’s roots and once again finding child-like innocence, fun, and joy that two souls once knew. Reply
Joseph S. Salemi April 12, 2025 I like the trimeter rhythm, and the fact that the odd-numbered lines of each quatrain end feminine, and without rhyme, while the even-numbered lines end masculine, and rhyme. This kind of simple, slow movement goes along perfectly with the subject matter, which is thoughtful and meditative. As an ekphrastic piece that is based on a work of art, it is clearly linked with the Winslow Homer picture. And the fact that the girls are timelessly young in the picture, while described as widows in the poem, suggests a cyclical homecoming of a symbolic nature. Reply